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标题: 杉本博在2010年悉尼双年展 [打印本页]

作者: 董羽天 时间: 2010-5-25 15:02
标题: 杉本博在2010年悉尼双年展
本帖最后由董羽天于 2010-5-25 15:05 编辑

日本摄影师杉本博司在2010年悉尼双年展
关于杉本博司的作品，评论家清水穣称之为「最后的现代主义者」，回顾自「剧场」、「海景」这些完美作品，杉本博司不但是杜象以来的现代主义大师，更将日本的灵性和美学准确地在摄影中传达。

比起其他任何藝術家，杉本博司自覺於「時間的邊際」，意識著瞬間和永遠，以攝影這樣可見的媒材持續挑戰時間不可見的觀念；由他對古美術的深度認知，探討時間中的美如何被表現？

比起其他任何艺术家，杉本博司自觉于「时间的边际」，意识着瞬间和永远，以摄影这样可见的媒材持续挑战时间不可见的观念；由他对古美术的深度认知，探讨时间中的美如何被表现？

－杉本博司以非當代人測量時間的尺度來觀看時間和美。

－杉本博司以非当代人测量时间的尺度来观看时间和美。

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hiroshi sugimoto at biennale of sydney 2010

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'faraday cage', 2010 by hiroshi sugimoto
image © designboom

the 17th biennale of sydney opened last week under the theme 'the beauty of distance: songs
of survival in a precarious age'. the show presents more than 440 works by 166 artists
and collaborators from 36 countries, including new works created especially for sydney.

cockatoo island (a former convict prison and dockyard for shipbuilding) located in the middle
of sydney harbour is the main venue.

japanese artist hiroshi sugimoto created 'faraday cage' an installation specially conceived for
the power house on cockatoo island containing light boxes from his recent lightning field series.
the work is based on sugimoto's experiments photographically imaging static electricity on large
format film. part medium part scientist, sugimoto is both recorder and facilitator of the process
which evanescent tendrils of forked 'lightning' manifest a fundamental natural relationship between
light, energy, power and the dawn of life itself.

visitors view the glowing images held aloft on a series of stage like platforms. once they ascend through
the space they are faced with 'rajin' a thirteenth century japanese sculpture - the god of thunder.