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本帖最后由 luoyijiang 于 2010-5-8 15:14 编辑
结构震荡
为了名为“探索”的展览-瑞士人在第11届威尼斯双年展的瑞士临时展馆内建造了一条100米长的像连续饰带般伸展的砖墙。这个墙的设计遵循了计算机的运算程序法则，通过R-O-B移动机器人技术被建设在双年展区的Giardini场址里。环形的砖墙限定了一个复杂的中心空间和一个在其之间的间隙空间。穿过其中一个空间到达另一个空间，参观者会进入展览馆。这个墙体的设计被构想为一个开放式的参数体系。单一的连续曲线的进程承载为确定设计所需的信息。它同时作为一个分界面，确保了独立展览群组的需要。当每个组别的需求改变的时候，这个三维的波动起伏的墙可以自动重构。它的复杂的形态根据构筑的要求，四米长的构件必须靠自身稳固地站立。当墙体借以增加自身的稳定性，每个低层的弯曲面上都会有一个反向的高层弯曲面来保持平衡。这样一来，给予了墙自身的建筑表达。每一块砖块都依据弯曲度旋转。曲率越大，砖块旋转角度越大。使得墙体如纺织物的可塑性与砖块材质的坚硬性产生了强烈的对比。
Structural Oscillations, Venice, 2007-2008
Installation at the 11th Venice Architectural Biennale
For the exhibition “Explorations” -the Swiss contribution to the 11th Venice Architectural Biennale- we conceived a 100 meter long brick wall to run as a continuous ribbon through the Swiss pavilion. The design of the wall followed algorithmic rules and was built on site at the Giardini, the grounds of the Biennale, by the R-O-B mobile robotic fabrication unit. With its looped form, the wall defines an involuted central space and an interstitial space beyond, between the brick wall and the existing structure of the pavilion. Passing from one space to the other, the visitor gains access to the exhibition. Through its materiality and spatial configuration the wall, consisting of 14,961 individually rotated bricks, enters into a direct dialogue with the modernist brick structure from 1951 by Swiss architect Bruno Giacometti. The wall’s design was conceived as a system with open parameters. The course of a single, continuous curve carried all the generative information necessary to determine the design. This curve functioned as a conceptual interface, which enabled the needs of the individual exhibited groups to be negotiated. As each group’s requirements were modified, the three-dimensional, undulating wall could be automatically re-generated. Its complex shape was determined by the constructive requirement that each single, four meter long segment should stand firmly on its own. Where the course of the generative curve was almost straight, meaning that the wall elements could possibly be tipped over by the visitors, the wall’s footprint began to swing, thus increasing its stability. Each curvature in the lower layers was balanced by a counter-curvature in the upper layers, thus giving the wall its architectural expression. The wall loop adapted its shape according to its course, widening and narrowing, producing tension-rich spaces to lead visitors through the exhibition. In addition, the individual bricks were rotated according to the curvature—the greater the concavity of the curve, the more the bricks were rotated. This further emphasised the plastic malleability of the wall, which acquired an almost textile character, in oscillating contrast to the firm materiality of the bricks. |
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